Beyoncé‘s recently released visual album Black Is King embraces Africa- past, present, and future. The film is liberatory, cajoling the audience to move through time and place in search of an authentic self. Beyoncé rejects the double consciousness DuBois described in The Souls of Black Folk, and, instead, invents a world in which Black peopleContinue reading “#BlackIsKing”
devoted to Afrofuturism, African-futurism, and other modes of the Black Fantastic
Third Stone Journal 